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My
First Nine Months

Picture: Martin Shields,
Evening Times
My first nine months at the Glasgow
Science Centre (GSC) have absolutely flown by! Here is a brief update of the
significant happenings to date (and a glimpse of the exciting life I now
lead).
When I arrived on the 3rd December 2001, the installation of the new
planetarium equipment had just begun – and seeing as there were only two
months to the big launch – you can imagine that I needed to hit the ground
running.
For example, the Zeiss technicians were absolutely flabbergasted that
I had taken up my post as planetarium manager on the same day they arrived
to install their equipment. In fact, I spent the first part of my first
morning searching for a few lost items: five crates containing the £1
million Zeiss Starmaster star projector! We eventually tracked it
down to an off-site warehouse and all was well.
Well, so I naively thought – little did I know of what was to come.
For a start the Zeiss equipment, which in total weighs almost a ton,
did not fit through the planetarium door - additionally, all 120 seats had
already been installed and the central pit had been completed (with a tiny
door as the only access). So the Zeiss equipment had to be
dismantled, rows of seats (which are all joined) had to be removed, and part
of the pit wall had to be broken down.
Other headaches included a surprise structural beam in the middle of the
cove light path; non-arrival of slide projectors; a broken video projector
bracket (after a workman stood on it); overly-bright fire exit lights; no
water for the laser; software conflicts; hardware conflicts; software
conflicts with hardware; electricians and other contractors all over the
place; dust and debris everywhere (a final clean-up was never done) - the
list just goes on and on - and in the middle of all of this I had to learn
how to use cutting-edge and highly sophisticated equipment.
I was under immense pressure, not only trying to juggle the installation of
the equipment (which included acting as mediator between easy-going American
technicians [Spitz], highly-strung German technicians [Zeiss]
and a perfectionist local
Astronomer Royal [Prof. John Brown]); but I also
had to come to grips with my other duties as a GSC Staff Scientist
ie. supervising the day to day running of the Science Centre (eg. ensuring
the three huge exhibit floors are operated properly by science communicators
[‘explainers’]; co-ordinating staff lunch breaks; answering public queries;
calling for lifts; administering First Aid; etc, etc. And if you add to this
the challenge of acclimatising to a new country, new surroundings, new
colleagues and new personal domestic arrangements - you will understand why
I lost 5kgs in the first two months (I’m not complaining, as I was
wondering how I was going to shed the excess weight anyway).
The ScottishPower Space Theatre HAD to launch on the 30th
January 2002. Period. If the launch was delayed one more time there was a
real danger that ScottishPower would withdraw the £500 000
sponsorship. I got very little sleep in January.
When the launch day finally came, it was the classic climax, just like in
the movies: crucial work was finished in the eleventh hour, absolute
essentials fell into place at the last minute - and right on cue, a final
nail-biting panic situation arouse moments before the main event.
Dignitaries at the launch included Dr Heather Couper; Prof. John Brown; both
the ScottishPower and GSC CEOs; Spitz and Zeiss bosses;
guests from the National Space Centre; local amateur astronomy societies,
educators and numerous others. Seeing as I was still unfamiliar with the
brand new equipment (which had some technical bugs in it) the shows on the
evening were not perfect (I had to steer home the ‘automated’ show
manually!) - but fortunately nobody noticed. Well, nobody that mattered
anyway.
Literally the next day, before I had even begun training any staff, the
doors were flung open to seething masses of visitors. After so much media
hype and so many delays, the anticipation was high - and sour local
journalists were itching to find fault with the latest addition to the
Glasgow Science Centre.
Yet I am happy to report that from the start the ScottishPower Space
Theatre has not failed to impress. As at the time of this writing (Aug 2002)
we have been open 7 months and in that time 70 000 visitors have enjoyed
over 1000 shows, with 60% of those shows being live star presentations. In
May and June we were swamped by huge school numbers, and this even before we
had officially begun offering the planetarium experience as part of the
school programme!
Other projects have included a successful public telescope outing in May;
inclusion in the current University of Glasgow Adult Learning programme; a
growing electronic mailing list and an increasing number of evening
corporate events.
It needs to be said that we have had our fair share of technical problems
and disappointments since opening - but we have always had a show ready for
our visitors. We’ve been reminded more than once by the respective
technicians involved that you can’t expect to enjoy cutting-edge technology
without bleeding a little.
And the pros certainly far outweigh the cons.
For one our Zeiss starfield is absolutely magnificent, and by far
the best in Britain at the moment. I am also blessed with a core team of
four young, enthusiastic presenters who are very much in love with astronomy
and thoroughly enjoy speaking before an audience. Our theatre may boast
immersive panoramic video, a high-powered laser and other fancy equipment
(see technical summary below), but what we’ve discovered is that visitors
enjoy our live star shows far more than anything else.
In fact, the Zeiss starfield is so spellbinding that I have begun
running meditation/relaxation sessions for our 120-strong Science Centre
staff. The extremely high quality of our night sky has also seen us featured
on BBC’s Tomorrow’s World, and prompted well-known planetarium
educators such as Dr Gill Russell (Aberdeen College) and Dr Francisco Diego
(University College London) to offer to collaborate with us to produce new
(traditional) planetarium shows, and our first production The Cosmic
Message is nearing completion.
Recently the Glasgow Science Centre has sadly (like most other new and
expensive visitor attractions) suffered a few financial setbacks. This has
resulted in staff redundancies, cut-backs and an overall tightening up on
spending. For the planetarium this means no new high-tech panoramic video
shows for a while, and also reduced opening hours. Nonetheless I’m convinced
that this is a passing phase and it won’t be long before the GSC firmly
establishes itself as one of the world’s foremost Science Centres, with the
ScottishPower Space Theatre continuing to stand tall amongst
planetariums.
For me, launching what is arguably Britain’s top planetarium (from a
standing start in just two months) has been a wonderful experience and
immense challenge. In the process I have not only learned much, but have
also proved many things to myself - and dare say I’m extremely proud with
what I have accomplished. I find it hard to believe that only three years
ago I was still a small-time museum educator in South Africa.
So I’d like to end off by inviting everyone who reads this article to visit
the Glasgow Science Centre if they can, and be sure to catch a fantastic
show in ‘my’ planetarium - a truly star-studded attraction!
Mario Di Maggio
Staff Scientist: Planetarium
Glasgow Science Centre
ScottishPower
Space Theatre
Technical Summary
The ScottishPower Space Theatre seats 121 visitors (with additional
room for 6 wheelchairs) inside a 15-metre wide dome. The Space Theatre
houses the only large Zeiss star projector in Britain (Starmaster
Model ZMP), with an accompanying array of Spitz ElectricSky (only the
8th in the world) projection and sound equipment, as well as a laser and
date projector.
(a) Zeiss Starmaster
·
using revolutionary new fibre-optic technology, over 9000
markedly brighter and more brilliant stars vividly reproduce a spectacular
night sky
·
stars not only twinkle randomly as in the real world, but are
reproduced in their true colours with exceedingly accurate magnitudes
·
surface details on the Moon, galaxies and gaseous nebulae are
reproduced with such accuracy that for the first time binoculars can
be used by the audience to good effect
·
almost every astronomical concept imaginable can be
demonstrated under this striking simulated sky
(b) Spitz ElectricSky equipment
·
Employing the latest edge-blended surround video technology,
three high-end video projectors come together to produce a 210x60 degree
full-colour dome panorama
·
12 all-sky slide projectors work together to produce a single
spectacular image filling the entire dome
·
includes a complete suite of latest digital theatre sound
equipment with 6 surround-sound speakers
·
six dissolve pair slide projectors, two DVD players, video
player, laser disc player and an 18-disc CD player
·
a truly immersive experience in what is only the 8th
ElectricSky theatre in the world
(c) Laser Fantasy Projector
·
produces a state-of-the-art laser beam which moves at 30 000
points per second
·
the beam travels through a crystal which enables it to create
up to 30 000 different colours (although the eye can only distinguish about
52)
·
precise ultrasound vibrations alter the molecular structure of
the crystal, refracting the laser light in specific ways to produce the
desired colours
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